The article examines the relationship between the lyrics and prose of Mieczysław Romanowski, the most talented poet of the last generation of the Romantics, and the work of other contributors of the weekly magazine Dziennik Literacki, published in Lwów between 1852 and 1870. Although their concerns and poetics have a lot in common, the high tone of Romanowski’s patriotic art is distinctly his own. In this article the analysis of his poetry is complemented by an examination of his essays and other writings which contain his views on contemporary social issues.
The aim of the article is to present a Polish example of revitalization activities in the „recovered” areas in the city. The process described concerns the Garrison in Gdańsk Wrzeszcz. These areas were formerly occupied by the army, now for several years they have been carrying out construction works aimed at creating a comprehensive residential and service complex with a wide range of accompanying services. The revitalization of this area makes it possible to incorporate it into strongly urbanized city tissue. The location in the center of one of the main districts of the city, very good transport connections make it an attractive location for residents and entrepreneurs. The article refers to other implementations of this type of actions, stressing that the successful revitalization of the former military barracks in Gdańsk is to a relatively large extent carried out with respect for the existing historical tissue. The presented historical outline of the analyzed area makes it possible to get acquainted with its former character and its infl uence on contemporary design decisions. The methods of forming attractive urban spaces have been indicated.
Although formulaic expressions found in earlier correspondence have drawn scholarly attention, their (un)grammaticality has not been thoroughly researched. The present paper thus focuses on the two types of formulae with the verb remain found in private correspondence: one headed by 1st person pronoun (as in: we remain(s) your daughters), the other one starting with but/so/also/and/only (as in: but remain(s) your affectionate child until death). For the purpose of the study a corpus of 19th-century correspondence has been compiled and analyzed; additionally, the data from Dylewski (2013) have been taken into account. Next to the corpus scrutiny, an Internet search has been carried out to verify whether the use of the formulae at issue goes beyond the 19th century. An analysis from both a qualitative and quantitative angles allowed for putting forth a number of hypotheses concerning the origin of variation between -s-marked and unmarked forms as well as their distribution across letter-types and different geographical locations. The results of the analysis also corroborate the claim that -s on remain in the structures under discussion is neither a “part of the authentic local vernacular nor of authentic contemporary standard English, but part of a specifi c, localized practice of letter writing, which had its own linguistic rules” (Pietsch 2015: 226).
In this article Maurycy Mochnacki’s martyrological and messianic declarations in the Preface to the Uprising of the Polish Nation in 1830–1831 are examined in the context of the martyrological discourse in the literature of the Great Emigration. Such an affirmation may appear puzzling given Mochnacki’s rejection of martyrological interpretations of Poland’s history or messianic readings of his political philosophy, let alone his reputation of being radically opposed to Adam Mickiewicz’s idea of the sacrifi cial victimhood of the Polish nation. In this study the ideological and rhetorical aspects of their statements are compared and analysed. There can be little doubt that in the Preface Mochnacki’s phrasing is steeped in patriotic pathos which seems to be at odds with the tone of his other writings. This article claims that it was a tactical move on his part: he chose the familiar martyrological loci merely as a means to enlist the readers’ support for his own pragmatic programme of restoring Poland’s independence. A general conclusion to be drawn from this apparent inconsistency is that already at that stage (The Uprising was published in Paris in 1834) the logosphere of the Great Emigration had become so dominated by the martyrological discourse that Mochnacki could not afford to ignore it.
The article attempts to outline Adam Mickiewicz’s concept of subjectivity. He introduces it in his visionary poetic drama Dziady (Forefathers’ Eve) where a radically ambivalent situation is presented through the duality of the main character Gustaw/Konrad. The article describes this duality in terms of Paul Ricoeur’s distinction between cogito exalté and cogito brisé. In Dziady Mickiewicz dramatizes the transition from exaltation to dejection, the condition of cogito brisé (living with a wound). His romantic subject cannot throw away his past, but because he is acutely aware of his failings and his inadequacy he is able to free himself from delusions of grandeur and self-centered pride. The condition of uncertainty, inadequacy and chronic insatiability is like a gaping wound or a lack which may lead the ‘I’ to open up and seek the Other. It is a vision of man who knows he is deeply flawed but capable of pursuing a noble desire; vulnerable and fallible, beset by ‘endless error’ and yet able to act and get his act together; self-centered and yet, because of the relational nature of the human identity, capable of redirecting his emancipatory energy to Others. It can be summed up the concept of homo capax (homme capable) which, as this article argues, provides the key to Mickiewicz’s anthropology.
After moving to Italy in 1856, Teofil Lenartowicz, inspired by the great Italian art and supported by the best Florentine artists of the time Giovanni Dupré and Enrico Pazzi, began studying sculpture. Lenartowicz’s sculptures were always connected with literature: his work shows howone influenced the other. It is no accident that his style as a sculptor has been called ‘poetic’ by the critics. The Polish immigrant was fascinated by the Italian Renaissance, and especially by the art of Lorenzo Ghiberti. At the same time, he never forgot about Polish folklore, which played a significant role in his artistic vision. One of the most impressive examples of this intersection of influences is the bas-relief The Holy Workers, complemented by a poem bearing the same name.
This article examines the occasional verse published by the daily Czas [Time] in 1864–1879, i.e. over a decade and a half after the suppression of the January Rising. These texts, which feature both solemn occasions and local ephemera, present us with a unique chronicle of life of Cracow and its environs. In addition to listing all the relevant texts, the article attempts to identify their authors, i.e. unlock their initials or pseudonyms, to outline the conventions and genological peculiarities of that verse, and to gauge the attitudes of the Cracovians towards the question of Poland’s independence, Romanticism, patriotism as well as some well-known authority figures.
This paper examines the coverage of women’s health issues, preventive care and prophylaxis in 19th-century Polish popular medical periodicals, in particular Dziennik Zdrowia dla Wszystkich Stanów [ Journal of Health for all Social Classes] (1801–1802), Przyjaciel Zdrowia [ Health’s Friend] (1861–1863), Zdrowie [ Health] (1877/78–1880), and Lekarz [ The Physician] (1903/04–1904/05). The authors of this study try to find an answer to the question whether those periodicals did succeed in giving women’s health issues the rank and status warranted by their significance.
The article applies postcolonial approaches to economic discourses in regard to Habsburg Galicia at the turn from the 18th to the 19th century, focusing on the reform discourses of the state bureaucracy, the Galician landlords and the Polish national movement with regard to serfdom and agrarian reform. Making use of Said’s concept of “orientalism”, the article’s main section is dedicated to the analysis of how the definition and construction of peasants as social actors influenced reforms of serfdom until it was finally abolished in course of the revolution of 1848. Here, several different simultaneous narratives, as well as varying positions in the course of time can be observed, where cultural differences were overlapping with social cleavages. Thus, a polycentric, but not polyvalent approach of power and rule could help deconstructing or at least questioning binary dichotomies, in the way that hegemony is always dependent on a complex web of political, social and economic relations in a spatial context.
Maria Manteuffel letters from the period 1844–1859 offer invaluable insights into the life of Polish gentry in the former Polish Livonia (Infl anty Polskie), incorporated into the Vitebsk Governorate of the Russian Empire. These letters of mother to her son Gustaw Manteuffel, student at the University of Dorpat (now Tartu, Estonia) who was to become one of great Polish historiographers of late 19th century, are an important historical source. Although they deal mainly with family matters, the mundane is interspersed with notes and comments which throw light on the Russian tax burdens and the social life of the aristocracy and the local gentry. An eye-catching feature of that correspondence is a string of Latvian (Latgalian) words and phrases which are interspersed into Maria Manteuffel’s sentences. There is not much we know about her life. Born in Wielony in 1811, she was heiress to the Drycany estate. In 1828 she married baron Jakub Manteuffel. Of their children only four sons survived to adulthood. Born into a Polish-Livonian family, Maria Manteuffel became a Polish patriot, patroness and sponsor of various patriotic initiatives. When the Drycany estate was sequestrated by the Russian authorities after the 1863 January Uprising, she moved to Lesno and later to Riga where she died in 1874. She was buried at Drycany beside her husband; in 1916 her son was buried in the same family vault.
Whereas Wincenty Pol’s topographical verse has usually been viewed as an expression of a ‘sentimental geography’, this article proposes a new reading of a well-known poem A Song about Our Land by Wincenty Pol in terms of ‘imagined geography’, a key term of an approach inspired by geopoetics and postcolonial studies. ‘Imagined geography’ refers to a poetic map, i.e. travelogue laced with motifs from the repository of national heritage. Its images, reshaped by the writer’s imagination, form an ideologically charged whole in which an emotive sense of place or scenery (‘touching the heart’) uncovers a complex cultural stratigraphy of the ‘imagined geography’. In the light of this approach, based on the insights of geopoetics, Wincenty Pol’s poem can be treated as textual representation of a map of the real and the symbolic territory of Poland.
This article takes a look at the development women’s press in the first half of the 19th century. A comparison of the press market in the Romantic Age in France, Poland and the United States shows that usually women were eager to take up journalism as a sideline to their literary careers. The article discusses the journalistic work of three women writers — Delphine de Girardin, Wanda Malecka and Margaret Fuller. While each of them was inspired by Romantic and Preromantic writers, their journalism was for the most part a continuation of the Enlightenment models of journalism.
This article presents a comparative analysis of two poems, Stéphane Mallarmé’s ‘Soupir’ (1866) and Wacław Rolicz-Lieder’s ‘To My Sister’s Smile’, published in 1891. ‘Soupir’ is one of Mallarmé’s early poems, yet in many respects, as this analysis demonstrates, looks forward to the French poet’s mature phase and foreshadows the poetics of Wacław Rolicz-Lieder. Chief among the similarities are the autothematic focus and the intent to convey feelings of emptiness and longing for an ideal in poems refined to the point of préciosité. However, for all their preoccupation with the craft of poetry, either poet believed that inspiration was absolutely vital for creativity. This article argues that Mallarmé’s poetics, especially his ideas of inspiration and originality, was taken over by Wacław Rolicz-Lieder, who adapted it to suit his own poetic project.
This article examines Henryk Sienkiewicz’s proto-racist distinction between the gentry and the commoners in his novel With Fire and Sword (1883–1884). This division, which is believed to be part of the divine world order, credits the commoners with an inferior humanity. It is founded on a set of essentialist beliefs – that social class is inherited, that ‘noble blood’ confers superiority, and that physiognomy bespeaks high birth (you can tell a noblemen or noblewoman by their physical appearance). As the article claims, Sienkiewicz allows no room for a voice questioning those beliefs, let alone exposing their class-bound arbitrariness.
This article is a critical reappraisal of Juliusz Słowacki’s translation of Calderón’s El príncipe constant (1843), which acquired a place of its own in Słowacki’s oeuvre and continued to attract a lot of interest throughout the 20th century. Its lasting appeal is due to its extraordinary unity of tone, dramatic construction and stylized language, which in effect, as some critics have said, out-Baroques Calderón’s Baroque original. This article analyzes this contention in detail and tries to answer the question what were the sources and reasons of Słowacki’s fascination with the 17-th century Spanish poet and playwright. The second part of the article deals with two of the 20th-century stage productions of the drama and the adapters’ handling of Słowacki’s text. The summary includes a brief survey of the treatment Calderón’s heirs accorded to his key trope perigrinatio vitae (‘life is pilgrimage’).