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Abstract

This article presents the concept of fate in the stories of the poet and literary sketches of twentieth-century Russian writer Jurij Dombrowski. The writer creates psychological portraits of Romantic poets, including George Byron, Alexander Gribojedov, Wilhelm Küchelbecker, focusing on selected episodes from their lives. In the article attempt is made to prove that the fate of the nineteenth-century artists serve as an excuse to explain the problems of contemporary author. Characteristics of historical fi gures are made through the prism of Dombrowski’s biography. The combination of biography and autobiography allows Dombrowski to present the subjective concept of the poet: a man condemned to loneliness and misunderstanding, confl icted with the epoch, trying to overcome the tragic dependence on historical conditions through art and creativity.
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Abstract

Bogusław Wolniewicz presented his axiological system in four volumes of Filozofia i wartości (“Philosophy and Values”: 1993, 1998, 2003, 2016). For Wolniewicz, just as for his mentor Henryk Elzenberg, axiology is openly assertive and encompasses a painful confrontation of opposite moral beliefs. Wolniewicz’s vision of the reality is gloom, bitter, dramatic and deeply pessimistic. In history he detects unwelcome contributions of demonic powers (Manichaeism), he also believes that human moral character is genetically given and immutable (determinism), that some people are deprived of conscience (dualism), and that the tendency toward evil cannot be reformed (non-meliorism), human reason is not sufficient for a morally good action (voluntarism), while the so-called free will is no more than a manifestation of instincts (irrationalism). Everyone follows their pleasure (hedonism), but not everyone seeks pleasure in the same actions. In particular, some people take pleasure in cruel and destructive behaviour (demonism), while some others mind their own business (utilitarianism), and rare are those who devote themselves to higher values (perfectionism). Religion is a human invention and it emerges as a natural phenomenon in reaction to the fact of mortality. The institution of the Church should nevertheless be honored even by nonbelievers because it supports conservative values. In contemporary Western civilization a crisis can be observed between the conservative part of society (‘right-handed orientation’) and the liberal one (‘left-handed orientation’). Hateful emotions appear on both sides and are dangerous to Western unity. Conservative orientation is attached to the idea of fate, i.e. irrational power that occasionally turns human life into tragedy (fatalism). Wolniewicz’s vision is close to the theology of St. Augustine (original sin, predestination, radical dualism of good and evil) but without a consolation in hope for immortality.
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